Exhibition
展覧会
Future Beauty
30 Years of Japanese Fashion
Future Beauty
日本ファッションの未来性
Venue : Museum of Contemporary Art Tokyo (MOT),the Espai d'art contemporani de Castelló, Valencia,Ikon Gallery, Birmingham
会場 : 東京都現代美術館
Japan(Tokyo)
日本
2012
2012
Organization : Tokyo Metropolitan Foundation for History and Culture, Museum of Contemporary Art Tokyo The Kyoto Costume Institute Nikkei Inc.
主催 : 公益財団法人東京都歴史文化財団 東京都現代美術館、公益財団法人京都服飾文化研究財団、日本経済新聞社
Artists :
20471120, AKIRA NAKA, ANREALAGE, ASEEDONCLÖ UD, Aski Kataski, beauty:beast, COMME des GARÇONS, Eatable of Many Orders, FINAL HOME, HANAE MORI, hatra, ISSEY MIYAKE , JUNYA WATANABE, keisuke kanda, KENZO, KOJI TATSUNO, mame, matohu, MIKIO SAKABE, minä perhonen, mintdesigns, Né-net, Noritaka Tatehana, OH! YA? , ohta, POTTO, sacai, SHINICHIRO ARAKAWA, S/STERE, SOMARTA, TARO HORIUCHI, tao COMME des GARÇONS, UNDERCOVER, writtenafterwards, Yohji Yamamoto, ZUCCA
アーティスト :
20471120(中川正博+LICA)、アシードンクラウド(玉井健太郎)、アスキカタスキ(牧野勝弘)、荒川眞一郎、アンダーカバー(高橋盾)、アンリアレイジ(森永邦彦)、イッセイ・ミヤケ(滝沢直己)、エタブルオブメニーオーダーズ(新居幸治+新居洋子)、オー!ヤ?(大矢寛朗)オオタ(太田雅貴)、神田恵介、ケンゾー(高田賢三)、コム・デ・ギャルソン(川久保玲)、サカイ(阿部千登勢)、システレ(小島悠)、ズッカ(小野塚秋良)、ソマルタ(廣川玉枝)、タオ・コム・デ・ギャルソン(栗原たお)、立野浩二、舘鼻則孝、中章、ネ・ネット(高島一精)、ハトラ(長見佳祐)、ビューティ:ビースト(山下隆生)、ファイナル・ホーム(津村耕佑)、ポト(山本哲也)、堀内太郎、マトフ(堀畑裕之+関口真希子)、マメ(黒河内真衣子)
、ミキオ・サカベ(坂部三樹郎+シュエ・ジェンファン)、ミナ・ペルホネン(皆川明)、三宅一生、ミントデザインズ(勝井北斗+八木奈央)、森英恵、山本耀司、リトゥンアフターワーズ(山縣良和)、渡辺淳弥
The 'Future Beauty' exhibition focuses on Japanese fashion, its creativity and the cultural background of its powerful design.
With the development of the Japanese economy during the latter half of the twentieth century, Japanese fashion entered the world stage, where it was recognized for its uniqueness. Starting with Kenzo Takada in 1970 and Issey Miyake, then followed in the eighties by Rei Kawakubo and Yohji Yamamoto, the activities of these designers were to enlarge the possibilities presented by fashion, throwing open the door of creativity to the world, in a field that had previously been confined to the framework of Western aesthetics.
They continued to create a free, imaginative style, drawing the eyes of the world towards Japan as a 'cool place' that offered new interpretations of the meaning of clothing. What is the essence and strength of Japanese fashion and how will our relationship with clothes change? These are the issues that we would like to look at afresh in 2012.
This exhibition was originally held at the Barbican Art Gallery (London) in 2010, then the Haus der Kunst (Munich) in 2011, where it was extremely well received. In addition to the work shown overseas, the exhibition at the Museum of Contemporary Art Tokyo will also include a section entitled 'Virtuality and Reality', presenting the work of young fashion designers to provide a hint of the future direction of fashion. From the 'deconstruction and innovation' of the eighties, through the 'expressions of the nineties generation, who considered "attitude" a life concept', to the '"sympathetic" generation' of the first decade of the new century 'whose designs were based on daily "behavior"', such as eating, sleeping and talking with friends. By looking back over the last thirty years of change, we hope to catch a glimpse of the futurity of Japanese fashion.
text source
The 'Future Beauty' exhibition focuses on Japanese fashion, its creativity and the cultural background of its powerful design.
With the development of the Japanese economy during the latter half of the twentieth century, Japanese fashion entered the world stage, where it was recognized for its uniqueness. Starting with Kenzo Takada in 1970 and Issey Miyake, then followed in the eighties by Rei Kawakubo and Yohji Yamamoto, the activities of these designers were to enlarge the possibilities presented by fashion, throwing open the door of creativity to the world, in a field that had previously been confined to the framework of Western aesthetics.
They continued to create a free, imaginative style, drawing the eyes of the world towards Japan as a 'cool place' that offered new interpretations of the meaning of clothing. What is the essence and strength of Japanese fashion and how will our relationship with clothes change? These are the issues that we would like to look at afresh in 2012.
This exhibition was originally held at the Barbican Art Gallery (London) in 2010, then the Haus der Kunst (Munich) in 2011, where it was extremely well received. In addition to the work shown overseas, the exhibition at the Museum of Contemporary Art Tokyo will also include a section entitled 'Virtuality and Reality', presenting the work of young fashion designers to provide a hint of the future direction of fashion. From the 'deconstruction and innovation' of the eighties, through the 'expressions of the nineties generation, who considered "attitude" a life concept', to the '"sympathetic" generation' of the first decade of the new century 'whose designs were based on daily "behavior"', such as eating, sleeping and talking with friends. By looking back over the last thirty years of change, we hope to catch a glimpse of the futurity of Japanese fashion.
text source